Bandeira do Brasil

Bandeira do Brasil
Showing posts with label fotografia. Show all posts
Showing posts with label fotografia. Show all posts

Thursday, August 9, 2012

PHOTOGRAPHY OR PAINTING?

Alexandre Mury works from self-portraits which he relates to readings of cultural and literary icons, painting, sculpture and other references. Photography is the over-all support for these works.
He started with photography at the age of 16 and his work was recently shown in the 2010 exhibition of the collection of Gilberto Chateaubriand at the Museum of Modern Art in Rio de Janeiro .
Alexandre Mury has a degree in Social Communication (FAFIC - Faculdade de Filosofia de Campos - Campos dos Goytacazes, RJ, Brazil) and was art director in advertising agencies, as well as acting professor of visual communication in three educational centers (FIPH, Faculdades Integradas Padre Humberto, Itaperuna, RJ, Brazil, 2003/2006; CEFET, Centro Federal de Educação Tecnológica de Campos, Campos dos Goytacazes, 2003/2004; FAFIC, Faculdade de Filosofia de Campos, Campos dos Goytacazes, 2003/2004).
He was born in São Fidélis, Rio de Janeiro on January 13,1976 and has drawn and painted since childhood.
His artistic legitimacy as a photographer became established when his work was first included in outstanding private collections of Brazilian art and photography, such as that of Joaquim Paiva (of Rio de Janeiro).
In a playful, intriguing and newly contextualized mode, he endeavours to reconstruct famous eternal themes and to re frame the Classics. Improvisation and allegory closely tie his oeuvre to Brazilian reality by means of a particular vernacular aesthetics that falls well within contemporary mainstream exercises in recycling and rereading. 
The Ugly Duchess (also known as A Grotesque Old Woman) is a satirical portrait painted by the Flemish artist Quentin Matsys around 1513.

The choice of materials and personal production of sets, costumes and ambiances reflect his freedom of interpretation and his truly personal rendering of the iconic subject matter pursued in his oeuvre.












The three Fridas
Frida Kahlo, Self-Portrait Dedicated to Dr. Eloesser 1940

http://en.wikipedia.org/wiki/Frida_Kahlo

Salvador Dali

Dr. Gachet By Van Gogh


Icarus by Matisse


Satyrs by Rubens


Joker


georges-seurat-standing-model


Thursday, June 21, 2012

BAHIA THROUGH THE LENSES OF PIERRE VERGER

Pierre Edouard Leopold Verger, alias Fatumbi or Fátúmbí (Paris, November 4, 1902; Salvador, Brazil, February 11, 1996) was a photographer, self-taught ethnographer, and babalawo (Yoruba priest of Ifa) who devoted most of his life to the study of the African diaspora — the slave trade, the African-based religions of the new world, and the resulting cultural and economical flows from and to Africa.
At the age of 30, after losing his family, Pierre Verger took up the career of journalistic photographer. Over the next 15 years, he traveled the four continents, documenting many civilizations that would soon be effaced by progress.



In the city of Salvador, Brazil he fell in love with the place and people, and decided to stay for good. Having become interested in the local history and culture, he turned from errant photographer to a researcher of the African diaspora in the Americas.
Verger's contributions to ethnography are embodied                                                 in dozens of conference papers, journal articles and books, and were recognized by Sorbonne University, which conferred upon him a doctoral degree (Docteur 3eme Cycle) in 1966 — quite a feat for someone who dropped out of high school at 17.










Just check this out:
http://www.pierreverger.org/fpv/index.php?option=com_joomap&Itemid=73


O Olhar de Verger from rsguitar on Vimeo.
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